Post by account_disabled on Jan 3, 2024 5:20:17 GMT
Every writer has his Achilles' heel. I have at least 5. I used to be afraid of dialogues, but now they come naturally to me - we'll see what an editor will say about it one day - and I'm crazy about landscape descriptions, which I once abused. By dint of reading, however, you learn many techniques. Perhaps it is not even correct to call them techniques, perhaps they are simply personal solutions found by various authors . But they are still a treasure. The problem is that reading doesn't get us out of trouble, because when we write we have to walk on our own feet, our favorite author isn't there to take us by the hand. Some solutions must arise spontaneously.
Today I want to illustrate what for me are the five most difficult types of scenes to write in a story . The scenes that have given me and will give me more boredom than all the others. Action scenes At the cinema everything seems Special Data simpler to us, even if in reality the images that pass before us were the result of study, writing, tests, cuts and appropriate editing. So seeing a shooting or a chase makes the adrenaline level in our blood rise. But what if we had to describe such scenes? Here the donkey falls, or rather the writer. How can you use a flow of words to represent a shootout, perhaps between two policemen stationed behind their car and 4 robbers machine-gunning them from a bank? How to make the hiss of the bullets heard, enhance the dramatic sense of the scene? But there are other action scenes that scare me.
Battles : the worst of all are the medieval ones. Two huge armies, with tens of thousands of soldiers, tearing each other to pieces in a field. I don't even want to think about it. Assaults : even just a punch thrown by one guy at another would give me problems, because we can't get away with a banal "he punched him in the nose and sent him sprawling". Death of a character Of any kind, I think representing the death of a character in a story is one of the hardest obstacles. You need to be able to make the reader feel the tragic and dramatic aspect of the scene . If the protagonist dies, then everything changes. In the sense that the question becomes even more complicated.
Today I want to illustrate what for me are the five most difficult types of scenes to write in a story . The scenes that have given me and will give me more boredom than all the others. Action scenes At the cinema everything seems Special Data simpler to us, even if in reality the images that pass before us were the result of study, writing, tests, cuts and appropriate editing. So seeing a shooting or a chase makes the adrenaline level in our blood rise. But what if we had to describe such scenes? Here the donkey falls, or rather the writer. How can you use a flow of words to represent a shootout, perhaps between two policemen stationed behind their car and 4 robbers machine-gunning them from a bank? How to make the hiss of the bullets heard, enhance the dramatic sense of the scene? But there are other action scenes that scare me.
Battles : the worst of all are the medieval ones. Two huge armies, with tens of thousands of soldiers, tearing each other to pieces in a field. I don't even want to think about it. Assaults : even just a punch thrown by one guy at another would give me problems, because we can't get away with a banal "he punched him in the nose and sent him sprawling". Death of a character Of any kind, I think representing the death of a character in a story is one of the hardest obstacles. You need to be able to make the reader feel the tragic and dramatic aspect of the scene . If the protagonist dies, then everything changes. In the sense that the question becomes even more complicated.